
Rana Daggubati Says Audience Mindset Has Shifted From Hero First To Director First
Rana Daggubati has shared an interesting observation about how the mindset of new age film audiences has changed in recent years. According to the actor, viewers are no longer choosing films solely based on the popularity of the lead hero, with the director increasingly becoming a major factor in deciding what they want to watch.
Rana believes audiences have moved from a “Hero First” to “Director First” approach. He pointed out that filmmakers with distinctive styles and strong track records are now capable of generating excitement even before the cast or story details are fully known.
“New age audiences have now moved from Hero First to Director First. People are increasingly excited to watch a Rajamouli film, a Nag Ashwin film, a Sandeep Reddy Vanga film, or a Prashanth Neel film,” Rana Daggubati said.
The actor’s comments highlight a broader shift in the way theatrical films are marketed and consumed. While star power continues to remain an important factor, audiences are increasingly associating certain filmmakers with a particular cinematic experience. A director’s previous successes, visual style, storytelling approach and ability to deliver large scale films can now create considerable anticipation around a project.
Filmmakers such as SS Rajamouli, Nag Ashwin, Sandeep Reddy Vanga and Prashanth Neel have developed strong identities among moviegoers. Their names themselves have become selling points, with audiences showing interest in their upcoming projects based on their previous body of work.
This shift is particularly visible among new age viewers, who have access to a wider range of cinema through theatrical releases and streaming platforms. Social media has also made it easier for audiences to follow filmmakers, discuss their previous work and build expectations around their next projects.
Rana’s observation does not necessarily suggest that the era of the star hero is over. Instead, it points towards an evolving equation between stars, directors and audiences, where a filmmaker’s vision and track record can carry as much weight as the presence of a popular actor.
As the Indian film industry continues to experiment with ambitious stories, larger productions and distinctive filmmaking styles, the director’s name is increasingly becoming an important part of a film’s identity. Rana Daggubati’s comments therefore offer an interesting perspective on how audience expectations and movie watching choices are changing.
