Let's talk: editor@tmv.in
A wake-up call for big-budget cinema

A wake-up call for big-budget cinema

Praveen Kumar
September 14, 2025

Recent box office trends are challenging the long-held belief that only big-budget films with superstar actors can draw audiences. Despite concerns that OTT platforms have reduced theater attendance, several small films are proving that quality content, not star power, is the true key to success. This shift in audience preference is causing a major stir in the industry.

While highly anticipated, large-scale productions like Kannappa, Harihara Veeramallu, and Ghati have struggled to find their footing at the box office, smaller films released in September, such as Little Hearts, Kothaloka, and Mirai, have become resounding successes. These films' victories signal a fundamental change in the audience mindset, demonstrating that moviegoers are now more interested in compelling stories and strong execution than in hero elevations and expensive visuals alone.

The low-budget film Little Hearts, made for a mere ₹2 crore, received excellent reviews and significantly outperformed the much larger film Ghati at the box office. Similarly, the Malayalam film Kothaloka ( Loka Chapter 1 ), created on a modest budget, became a massive cross-language hit, grossing over ₹200 crore. These examples show that audiences are willing to pay for a great experience, regardless of the film’s budget or cast.

Most recently, both Mirai and Kishkindhapuri, two small films released on the same day, have garnered positive talk. Audiences are praising Mirai for its impressive VFX and cinematic quality, which were achieved on a surprisingly low budget. Kishkindhapuri, a horror thriller starring Bellamkonda Sai Srinivas and Anupama Parameswaran, is being lauded for its effective use of horror elements and strong background music.

This trend is a stark reminder to big-budget filmmakers and star heroes that their old formulas are no longer guaranteed to work. Critics are increasingly vocal, urging them to focus on substantive content rather than relying on hero worship and inflated budgets. They argue that a large portion of a big film's budget is often allocated to the star's salary, leaving little for production quality. The success of films like Mirai offers a clear lesson in how to make a high-quality, profitable film with a more reasonable budget. The message from the audience is clear: if big heroes and producers fail to adapt and prioritize content, they risk becoming irrelevant in an evolving industry. The time for change is now.

A wake-up call for big-budget cinema - The Morning Voice